August Events
Friday, Aug 6 Jon Stickley Trio One of the most sought after Bluegrass guitar pickers in WNC (Shannon Whitworth, Infamous Stringdusters & Larry Keel) is making his return to the Jack stage with his fabulous trio!
Saturday, Aug 7 Peggy Ratusz & Daddy LongLegs She’s been called the “Queen of the Asheville Blues Scene.” This Chanteuse and her amazing band will be servin’ you a mix of more Swing, Jazz and Blues, keepin’ you on the dance floor all the while. Friday, Aug 13 Now You See Them Yes, you’ll be seeing them again, these pop folk Asheville Icons whose take on music is all about fun.
Saturday, Aug 14 Nora Jane Struthers & the Bootleggers 1st Place winners of the Telluride Band Competition 2010, here’s your chance to hear what the buzz is all about. Her highly acclaimed recent self-titled debut album which features Tim O’Brien is true Cowgirl Country Americana, Bluegrass and Old time. Friday, Aug 20 Cary Fridley & Down South Cary Fridley’s powerful vocals soar on an all-star group featuring honky-tonk guitar, bluesy pedal-steel and hot Appalachian fiddle stylings.
Saturday, Aug 21 The Honeycutters Fronted by “recklessly beautiful” singer/songwriter Amanda Platt, the band creates an original brand of Americana that is equally appealing to the music lover and musician, the country and the city, the old and the young!
Friday, Aug 27 Johnson’s Crossroad They call their brand of music “Appalachian Soul” that translates to an alternative to “polished” country music while staying true to the roots that made country music great. Saturday, Aug 28 Amelia’s Mechanics With Jim Avett producing, this all-female trio is on the rise people, and their tools of the trade are guitar, fiddle, cello, ukulele and tight “sister-like” harmonies. They’re “vintage country with a moonshine concerto.”
Friday, Sept 3 Matt Walsh Back by popular demand, Matt and his awesome backing band are steeped in the tradition of Blues with a command of the language that ensures its preservation.
Saturday, Sept 4 Blair Crimmins & the Hookers Independent weekly says: “With a smile and glint in his eye, he entices listeners with songs that jump with 1920’s gaudiness, reminiscent of tawdry, dangerous jazz. Multi-instrumentalist he delivers off kilter piano lines and rapid guitar strum, but tenor banjo, ukulele and accordion isn’t out of the question.”
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